Crime and Punishment

I have finished Crime and Punishment! This feels like an enormous achievement, given the confusing names, density of the text and scale of the concepts involved. It is a hard but satisfying read, and I'd recommend it, as long as you have a bit of time on your hands...which I didn't, hence the time it has taken me to get through.

There is a lot to consider in this book. First, the main storyline - Rodion commits a murder, in the belief that he is one of a special breed of men who have responsibility to carry out grand actions to change the course of society and therefore are above the law. Even in the act of the murder, his conscience leads him to doubt this and he spirals into a madness driven by his guilt & conflicted conscience. The remainder of the novel then follows him as he wrestles with whether he should confess, flee or kill himself - which is most honourable, will he be found out etc.

The events of this work are then, in the main, viewed through a filter of his madness, and you can never quite be sure whether they are as they seem, or they are his interpretation. For example, Svidrigailoff enters the narrative in pursuit of Rodion's sister, discovers his guilt and then tries to use this to convince the sister to marry him. This conflict leads him too into madness. However, before he reachs this point, he toys with Rodion. On one occasion, Rodion (in one of his many fevered wanderings of the streets) believes he is going to Svidrigailoff's home, and instead ends up in a completely different part of the city, where he sees Svidrigailoff in the window of a tea house. He sees this as fate, coincidence etc, but Svidrigailoff says that he has told Rodion to meet him there...he has no recollection. There are many of these coincidental events throughout, and this gives an insight - perhaps they are not fate, driving Rodion towards a confession, as he believes, but normal, planned meetings, which he is misinterpreting due to the depth of his confusion & madness!

Catherine Ivanovna adds a welcome lightness to the mid-part of the novel - in particular, the funeral dinner following the death of her husband is the only section that made me smile. The fact that a funeral dinner is the funniest part of the work does give an indication of its bleakness! All of the key characters are subsisting at the lowest echelons of society, hand-to-mouth in terms of their financial situation, and at the mercy of those with money and position. It highlights how the justice system did not really offer justice for the poor, but just for those with the most influential voice, and those with money have a disproportionate amount of power & influence over those without. This is obviously not a new idea in society, lest you think I believe I'm making a revolutionary observation, but it does come across very starkly here.

I won't give away the ending, as I would highly recommend reading it, but will just say that it resolves, and felt like a satisfactory conclusion (take note, Grapes of Wrath - this is how to finish!). I feel like I have achieved something in this one - it was hard work, but it was worthy of the hard work.

Phew. Now to some shopping. And perhaps Lord of the Rings next!